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    Home»Brighton & Hove News»The Pale White announce new album and UK tour – Brighton and Hove News
    Brighton & Hove News

    The Pale White announce new album and UK tour – Brighton and Hove News

    James Anderson, FRSA, CMgr MCMIBy James Anderson, FRSA, CMgr MCMIFebruary 3, 2026No Comments4 Mins Read
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    The Pale White announce new album and UK tour – Brighton and Hove News
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    Newcastle alt-rock brothers The Pale White return to announce their third studio album ‘Inanimate Objects of the 21st Century’, due for release on 27th March 2026 via End of the Wall Recordings, pre-order / save HERE. 

    The announcement also comes alongside a brand-new single ‘Absolute Cinema’, available to stream HERE. 

    Following the success of their self-titled debut and the introspective ambition of sophomore album ‘The Big Sad’, brothers Adam (vocals/guitar) and Jack Hope (drums) return louder, sharper, and more defiant than ever. This third full-length is their most expansive yet: a record that blends the anthemic punch of classic rock with the urgency and edge of modern alternative. 

    The Pale White at Chalk, Brighton 15.9.23 (pic Cris Watkins)

    Speaking on new single ‘Absolute Cinema’, frontman Adam Hope says: 

    “Absolute Cinema’ is a love letter to the big screen. When we were kids in the mid-2000s, ‘going to the pictures’ with a tenner would get you your film ticket, fast food, and the bus fare home. Packed to the rafters with film heads who had eagerly anticipated that week’s new release, you’d take in every second – knowing you wouldn’t see it again for another six months until it finally came out on DVD. 

    Facing facts, it’s not what it once was. The cinema has become just another inanimate object crying for help as we navigate through this century. This song hopes to remind people how important film is to our culture and pays ode to some of our favourites including Martin Scorsese, the face of the well-known meme ‘Absolute Cinema’. Even if he never actually said it, the fact that he’s become the automatic barometer for incredible filmmaking speaks for itself.”

    The Pale White recorded their first album and accompanying singles in studios in London and Kent, with an outside producer. But by the time they started working on their sophomore album, ‘The Big Sad’, the collective mindset, according to Adam, was: “Stop chasing. Come home. Be at home. Be ourselves. Just see what happens. And we’ve gotten the best out of what we can be doing that. It was nice to have total freedom and put our own stamp on it.”  

    ‘Inanimate Objects of the 21st Century’ album

    Writing and recording back on home turf in the northeast, the band embraced the freedom of being fully in charge. For these proud sons of the northeast, going home meant one more powerful burst of artistic expression.  

    The title, ‘Inanimate Objects of the 21st Century’, is a nudge to the uncomfortable irony of our time – as technology accelerates, humanity feels increasingly frozen in place: “Technology is moving, but we are not. Human civilization entered the 21st century wide-eyed and naive with mobile phones that would barely fit in our pockets. Fast forward a few decades and we’re so far from where we were that it almost looks like a bad 80’s sci-fi movie.  

    Back then, that film would be watched in packed-out cinemas after an eagerly anticipated release, but now they stand emptier than they once were, attended mainly as a nostalgic experience in the age of Netflix and doomscrolling. The birth of AI, algorithms, cryptocurrency, drones, holographic concerts, autonomous cars… we’re living in a strange transitional period which is both fascinating and terrifying in equal measure. We humans have now in fact become the inanimate objects – mannequins. 

    After our softer, melancholic second album ‘The Big Sad’, we felt it was only right to move as fast as our world is moving and release our next within the year. ‘Inanimate Objects of the 21st Century’ is the evil twin, the Yin to The Big Sad’s Yang.” 

    The Pale White are heading to Patterns in Brighton (pic Nick Linazasoro)

    THE PALE WHITE HEADLINE TOUR DATES:
    08 April – Sneaky Pete’s, Edinburgh 
    09 April – The Wardrobe, Leeds
    10 April – Bodega, Nottingham
    11 April – Patterns, Brighton 
    14 April – 100 Club, London
    15 April – Rough Trade, Bristol 
    16 April – Yes Pink Room, Manchester
    17 April – Boiler Shop, Newcastle
    23 May – Bearded Theory Festival

    Find your concert tickets HERE. 

    ‘INANIMATE OBJECTS OF THE 21st CENTURY’ TRACKLIST:
    ‘Moth in the Headlights’
    ‘Float Away’
    ‘Göbekli Tepe’ 
    ‘Absolute Cinema’
    ‘Oh Brother’
    ‘Medusa’ 
    ‘Carpe Diem’
    ‘Mannequi’
    ‘This Fascination’
    ‘Disappoint Me’
    ‘All I Have To Do Is Dream’

    www.thepalewhite.com

    Tour flyer

     

     

     

    Read more here: Click Here

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    James Anderson, FRSA, CMgr MCMI
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    James Anderson, FRSA, CMgr MCMI, is a recognised industry analyst and consumer-protection writer specialising in the UK home-improvement and trades sector. With over two decades of experience in business management, trade standards, and local-service markets, James brings a trusted, evidence-based voice to homeowners and professionals across Sussex and the wider UK. As a Fellow of the Royal Society of Arts, James is committed to promoting best practice, transparency, and fair pricing within the trades industry. His Chartered Manager status reflects his long-standing work advising SMEs, independent tradespeople, and emerging digital platforms on sustainable growth and customer trust. James serves as the Lead Research Editor for Sussex Trades Mag, where he writes in-depth guides, trade comparisons, expert reviews, and consumer advice designed to help both homeowners and trades make confident decisions. He is also a key contributor to MyTradeLinks, offering insight into digital transformation, local trade discovery, and community-driven service platforms. Across all of his work, James focuses on three principles: clarity, accountability, and empowering the local workforce. His articles aim to cut through jargon, expose industry myths, and highlight the standards that genuinely matter when choosing a tradesperson. When he isn’t analysing market trends or writing for Sussex Trades Mag, James mentors small business owners, supports community development projects, and continues his research into how technology can strengthen trust between homeowners and local trades.

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